In 2009:

The Scotsman
The Independent
The Guardian
New Statesman
Financial Times
Telegraph.co.uk, 'My Perfect Weekend':
http://bit.ly/ibfaq_interview_telegraph09


From 2008:

CNN (includes video interview)
http://www.edition.cnn.com/2008/TECH/space/05/15/iain.banks/index.html

Publisher's Week:
http://www.publishersweekly.com/article/CA6525179.html?nid=3336

The Times: http://women.timesonline.co.uk/tol/life_and_style/women/body_and_soul/article3288415.ece

Guardian:
http://books.guardian.co.uk/whyiwrite/story/0,,2253781,00.html

Craig Mcgill: http://craig-mcgill.com/2008/02/08/the-iain-banks-a-rama/

And here's a selection from 2007:

The Times, 17th February
The Independent, 18th February
Sunday Times, 25th February and another article here
The Herald, February 26th

Private Eye reviewed Transition and said ".. it reads as if it were written in about three weeks by someone who can't be bothered to join up those vexing dots of character and motivation."

Reviews of Transition can be found here:

The Times
New Scientist
The Guardian
Total Sci-fi Online
The Independent

Reviews of Matter from back in the day can be found here(hopefully);

Telegraph
The Times
Guardian
SFF World
Ed Ashby

Some of those dry and dusty reviews of The Steep Approach to Garbadale can be found here:

The Observer
Private Eye - pdf repro here
Scotsman
Independent
Time Out

Transition is available on CD from all good audiobook cd retailers. Probably. It can also be downloaded from the iTunes store, either unabridged (which costs) or a series of abridged podcasts (free).

Matter is available as an abridgement on CD as well as in full on iTunes.

Unabridged books include Dead Air, The Business, Raw Spirit. Abridged books include The Algebraist, Song Of Stone, The Wasp Factory, Whit, Walking On Glass and, ahem, The Bridge.

Matter was shortlisted for the 2009 Prometheus Award, given by the Libertarian Futurist Society in recognition of the best pro-freedom novel published during the previous year.

The Steep Approach to Garbadale was shortlisted for the Catherine Maclean Prize in 2008.

The Algebraist was shortlisted for a Hugo Award in 2005.

Rights to film 'The Wasp Factory' are now apparently held by Iain again, "...so a film is a possibility - watch this space. I'll leave a proper screenwriter to get on with their job. Ditto the music - I have absurdly ambitious plans for my music but a soundtrack for Wasp Factory does not figure in them". (source - The View From Here)

'The State Of The Art' is reportedly set for adaptation, directed by Dominic Murphy and produced by Film & Music Entertainment.

'The Crow Road' was adapted into a TV mini-series for the BBC in 1996.

'Complicity' was released as a film in 2000.

Iain has said he'd like to see 'Consider Phlebas' filmed now that special effects technology could handle the scenarios: "I wouldn't even mind if they changed the ending, have Arnold Schwartzenegger play Horza - he wins and gets the girl! But what I'm really dreading is they're going to make the spaceships look all wrong."

He made several radio and TV appearances in September 2009 in support of his latest book, Transition. I missed them all. Details are available over on the official Iain Banks website.

A radio play adaptation of 'The State Of The Art' was broadcast on Radio 4 on Friday 6th March 2009 at 2.15pm. You can read more about the adaptation in Paul Cornell's blog.

The Wasp Factory featured on Radio 4's 'A Good Read' programme on Tuesday 3rd March 2009 when Huw Stephens chose it as one of his favourite books.

Iain appeared on Radio 4's 'Open Book' programme in February 2009.

He may have been interviewed during 2008 but I was probably drinking beer and/or watching GT racing at the time. So I didn't notice. Sorry.

Mark Lawson interviewed Iain on Front Row; Radio 4 on Wednesday 7th March 2007

He was interviewed by Mariella Frostrup on Sky/Artsworld's Book Club in March 2007.

He was interviewed by Peter Capaldi on BBC2's Culture Show in February 2007 (audio version here)

In March, the BBC World Service recorded an episode of World Book Club that featured The Wasp Factory.

He was interviewed by Mark Lawson as part of BBC4's Science Fiction Britannia season.

Appearances in 2006 included a number of BBC radio shows; interviews from the Edinburgh Book Festival, Wells Literature festival and an in-studio spot on the last outing of BBC6's 'Rocket Science'. The Wells interview is, for the time being, still on the BBC Somerset website

The Radio 4 'history of science-fiction' series 'Imagining Albion' featured Iain in two episodes, talking mainly about the Culture. It also featured some brief readings of his work.

He was on TV over Christmas 2005, winning his episode of Celebrity Mastermind with 'malt whisky and the distilleries of Scotland' as his specialist subject. Follow this link for those questions, along with educational and informative hyperlinks ;) As captain of the Writers team, he also made two winning appearances on University Challenge; questions to follow if I get a really slow day at work.

Check the appearances thread of the official forum for up-to-date info, as well as Dave H's Banksoniain calendar.

Confirmed appearances for the remainder of 2009 include:

Cheltenham Literature Festival; Saturday 17th October 2009

Linlithgow Book Festival; Saturday 31st October

In support of Transition, Iain made several appearances across England and Scotland.

Iain was Guest of Honour at Satellite 2, Glasgow, 25-26th July 2009.

Iain Banks was a guest at the Prague Writer's Festival, June 7th-11th 2009.

Iain Banks was one of the guests of honour at Eastercon 2010.

Not that I know of. There are some 'Iain Banks' but not TMH. Perhaps he's too busy writing...

Yes. Many.

Conservative estimates suggest that his novels have been translated into over twenty languages. The Wasp Factory has been translated often (five French versions alone).

Known translations include Walking on Glass in Spanish, The Player of Games in French, The Bridge in German, Complicity in Finnish, Espediar Street in Japanese, Consider Phlebas in Serbian and The Wasp Factory in Lithuanian.

He seemd in favour, once owning a wind turbine, although he was refused planning permission to erect it. Subsequently, he looked into the benefits of turbines and changed his mind;

"I’m still to be convinced of their actual worth. But I do still have green plans for the house, and instead of a wind turbine I’m looking into the possibility of replacing my roof tiles with electric tiles that will heat all my water.”

Source - Deadline Scotland

There's a detailed overview of Culture novels tropes - storytelling devices - on the TV Tropes website:

http://bit.ly/ibfaq_culture_tropes

Give us a chance. I've been away for six months and haven't caught up on all the gossip.

There's a sporadically updated celeb page at http://bit.ly/ibfaq_facebook

And an 'appreciation/envy' group at http://bit.ly/ibfaq_facebook_2

Well, Eliezer Yudkowsky has published an enlightening article, "Amputation of Destiny", which posits that the problem with the Culture are the Minds. He's writing as part of the University of Oxford's Future of Humanity Institute.

Take a deep breath and read more about it at:
http://www.overcomingbias.com/2008/12/theft-of-destiny.html

Use of Weapons was released in December 2008 by mobipocket:
http://www.mobipocket.com/EN/eBooks/eBookDetails.asp?BookID=131453

UoW and Look to Windward are both available as Kindle books on Amazon, although the latter may have some quality issues.

He's said that he seems to have something against them and has never really read them much, but did like the small amount of Neil Gaiman's work that he's read. In the late 80's he nearly worked the artist SMS on a 'Gothic and bloody' graphic novel but the project didn't take off.

He's been quoted in the past as saying he doesn't use the net or e-mail, but times change. At one point there was a net-connected computer next door at his parent's house. As for that e-mail address.... do you really think we'd tell you ;-)

A. "Technology is neither good nor bad, it's up to the user. We can't escape what we are, which is a technological species. There's no way back"

'Lanark' by Alasdair Gray (Iain called it a 'landmark')

He thinks it's 'Kemlo and the Zones of Silence' by E C Eliot (pseudonym of Reginald Alec Martin)

In interviews he's said that his favourite blend is Johnnie Walker Black Label and his favourite single malt is The Macallan (he toyed with the idea of using the name John B. Macallan for his science fiction novels). In 'Raw Spirit', however, Iain shows a clear predilection for Glenfiddich Havana Reserve.

"Catch 22 and Fear and Loathing in Las Vegas are the last two books which had an enormous effect on me before I started to get my own stuff together. These are the two most influential books of my formative years. Everything you read affects you to some extent."

"Jane Austen, Tolstoy, Graham Greene and Saul Bellow. Loads of underrated science fiction authors - M. John Harrison should be a megastar, but he probably couldn't be because he's too rarefied a taste, I suppose; John Sladeck, who should have been the Terry Pratchett of the Seventies; and I've always had a soft spot for Barrington J. Bayley."

And a few scince fiction writers to add to that list; Brian Aldiss, Bester, Jorge Luis Borges, John Brunner, Arthur C. Clarke, Samuel Delaney, Alasdair Gray, Ursula LeGuin, Frank Herbert, Aldous Huxley, Ken MacLeod, Jeff Noon, Kim Stanley Robinson, Dan Simmons, Olaf Stapledon, Vernor Vinge, Kurt Vonnegut, Ian Watson, Gene Wolfe

Yes - on Then Jericho's 1998 album Orgasmophobia; he reads an extract over the instrumental track titled 'Iain Banks'. NB - following track on the album is called 'Walking On Glass'. On the Chris Coco album 'Next Wave', iain reads on a track called 'Dreaming'.

And let's not forget the 1996 CD 'The Bridge'; music by Gary Lloyd, inspired by Banks' book; Iain himself narrates several passages from the text.

Yes - he was an extra in the final battle scene of Monty Python & The Holy Grail

Yes - he studied English, philosophy and psychology at Stirling University

Yes - he's a fan and thinks that "his style is so intrinsically his I find it hard to imagine anyone aping it without making themselves look just plain silly."

Dark Star

Greenock Morton - mentions this is 'Raw Spirit' as he spent his formative years in the Inverclyde area. Allegedly known also as 'Mortonnil'...

1. Don't Bang The Drum - Waterboys
2. Heroes - David Bowie
3. Little Britain - Dreadzone
4. The Factory - Warren Zevon
5. Man Child - Neneh Cherry
6. Get Up Stand Up - Peter Tosh
7. Satisfaction - Devo
8. Pretty Vacant - Sex Pistols
9. Karma Police - Radiohead
10. For Michael Collins, Jeffery & Me - Jethro Tull
11. Walking Down Madison - Kirsty MacColl
12. Shot By Both Sides - Magazine
13. Echo Beach - Martha & The Muffins
14. Babylon's Burning - Ruts
15. Unexpected Join - Ivor Cutler
16. Sleeping Satellite - Tasmin Archer
17. 1952 Vincent Black Lightning - Richard Thompson
18. Dark Moon High Tide - Afro Celt Sound System
19. Love Anyway - Mike Scott

Yes and No. Espedair Street can be found in Charleston, Paisley. Wykes Folly is "kind of an amalgam of various things, slightly weird properties on that side of Glasgow...the exact place is fairly well-defined, because it's on a corner between three different streets. I think when I wrote it, it was an old tenement, a block of flats, and I think they'd already boarded it up because it was about to be knocked down. I think it's now an office building or something, in the exact position." (source: Time Off interview, 1995)

'Very, very small bits' are biographical (he did have an aunt who fell through a greenhouse) but he's said that Prentice's life hasn't got anything to do with his own (source: interview, 1999)

'The Bridge' (also his overall favourite as well, with 'Use Of Weapons' being his second fave)

Asked this in an interview he said: "I'd do it if I thought of a total cracker of an idea that would carry the book beyond the initial idea (though I think this is unlikely to happen). I don't think I would if it was just for money. But then ask me when/if I'm poor and maybe I'd change my mind." He's also said that "I had an idea that Frank was going to go in search of his mother - that was the plot. I even had a title, The Lost Wax Method."

Yes - it's in Complicity

Yes - Raw Spirit, 2003. He visits lots of Scotch malt distilleries, gives his opinions on the whiskies, all wrapped up in a travelogue/semi-autobiographical style.

The Culture Data Repository site has a copy:
http://tinyurl.com/ibfaq-aadb

He says that he feels very protective towards his non-Culture SF novels; although he finds writing about the Culture enjoyable he's "terribly reluctant" to be seen to be only writing a book series to give "SF junkies" their "regular fix".

Yes - take a look at the excellent work over on www.fastness.co.uk

Direct quote from interview: "I could tell you, but then I'd have to wipe your memory"

"Pretty much. The Idiran empire was to be the antithesis of the Culture; deeply religious, racist (well, speciesist), centralist, warlike and basically fascisistic".

Strictly speaking, it was in 'Use of Weapons' which was first drafted in 1974. The first published novel featuring the Culture was 'Consider Phlebas' in 1987.

'Use of Weapons' (his second favourite overall, his favourite being 'The Bridge')

'The Wasteland', T S Ellot (1922) lines 319-321; "Gentile or Jew / O you who turn the wheel and look to windward, / Consider Phlebas, who was once handsome and tall as you."

No.

"Sort of. Yes. Except the Culture doesn't have its own economic self-interest at heart, so it's nicer."

Yellow-green - "Mellow approachability"
Green - Friendliness
Pink - Amusement
Red - Amusement/pleasure
Red (pulsing) - Laughter
Deep red - Pleasure
Orange (pulsing) - SDED "Sick Drone in Extreme Distress"
Olive-purple - Awe
Purple - Contrition
Blue - Formal
Brown - Displeasure
Grey - Displeased
Gunmetal - Confusion
Silver - Do not disturb
White - Angry

GSV = General Systems Vehicle
MSV = Medium Systems Vehicle
LSV = Light/Limited Systems Vehicle
GCU = General Contact Unit
GOU = General Offensive Unit
LOU = Light/Limited Offensive Unit
ROU = Rapid Offensive Unit
dROU = decomissioned Rapid Offensive Unit
HOU = Heavy Offensive Unit
VFP = Very Fast Picket
HL = Heavy Lifter

7000 BC - Birth of the Culture
14th Century AD - Consider Phlebas
19th - 21st Century AD - Use Of Weapons
1977 AD - "The State Of The Art"
22nd Century AD - Look To Windward

And this version takes in more detail from the novels (source: alt.books.iain-banks Culture FAQ)

7250 BC : Phage Rock first inhabited. Note: This is a best guess, it was certainly pre 7000 BC.
7000 BC : Birth of the Culture
0500 AD : Zetetic Elench split from Culture
0970 AD : Pittance discovered. Note: +/- 100 years.
1267 AD : Hostilities begin between Idir and Culture.
1289 AD : First warship built by Culture.
1307 AD : First machine fatalities between Idir and Culture.
1326 AD : Culture War Council results in splitting of some sections from the main part of Culture.
1327 AD : Official start of war between Culture and Idir.
1330 AD : Events of Consider Phlebas. Note: Possible inaccuracy.
1332 AD : Homomda joins war on Idir side.
1366 AD : Twin Novae Battle of Arm One-Six. Note: Possible inaccuracy.
1367 AD : End of Culture-Idiran War in space.
1375 AD : Official end of Culture-Idiran War.
1575 AD : Pittance modified to become Culture weapons store. Note: Best guess.
1977 AD : Culture GCU "Arbitrary" visits Earth (from "The State of the Art").
2070 AD : Events of The Player Of Games. Note: +/- 100 years.
2080 AD : Diziet Sma recounts events of The State of the Art, possibly while en route to Crastallier. Note: +/- 10 years.
2093 AD : Sma writes poem,'Slight Mechanical Destruction' after events of Use Of Weapons. NB:115 Khmer calendar, Earth.
2100 AD : Events of Excession. Note: +/- 100 years but Excession events definitely after The Player Of Games.
2170 AD : Light from the Twin Novae Battle reaches Masaq' Orbital; events of Look To Windward. Note: +/- 10 years.

In published chronological order; Consider Phlebas, The Player Of Games ,Use Of Weapons,(short bits in State of the Art), Excession, Inversion, Look To Windward, Matter